In the late nineteenth century, Nigerian musicians began traveling abroad to formally study Western classical music in Europe and the United States, specializing in areas such as organ, piano, voice, violin, trumpet, conducting, theory, history, and ethnomusicology. Upon returning to Nigeria, they contributed significantly as music lecturers and performers in radio, television, churches, and academic institutions. Among these distinguished musicians was Christopher Oyesiku, Nigeria’s foremost bass singer, exceptional choral conductor, dedicated music educator, accomplished scholar, concert promoter, and broadcaster. For over six decades, Oyesiku played a vital role in preserving and promoting classical music traditions in Nigeria. This essay honors his centenary, celebrating his invaluable contributions to the nation’s cultural and musical heritage.
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